Somehow this painting started out as an autumn scene and transformed itself into a spring scene, not sure how that happened, perhaps it had something to do with the arrival of season after a very long winter.
I worked on a new surface wanting to experiment with something a little different and I do like how the colors are more brilliant and striking then on the colored surfaces. I had started another pastel on an Ampersand Pastelbord and ended up washing it off and repriming it with several layers of Golden Fine Pumice Gel. Another time I would use a coarse ground for soft pastel since this would allow for more layers of the pastel and it would be more agreeable with my soft Ludwig’s.
The trees and shrubs remind me of forsythia, purple smoke brushes and apple or pear trees in bloom, which are species I saw frequently in the horticulture business. I also used the beautiful Unison turquoise pastels in the sky along with a very pale and cooler Ludwig turquoise in the water. The colors in water should always be cooler than those on land, one of the ways you can separate land from water.